Rush, starring Chris Hemsworth, reveals something about the male ego through its main characters, and Blue Caprice depicts the tragic true story behind the D.C. sniper shootings, though the film doesn’t dig deep enough, according to Hornaday. Divorced parents Albert (James Gandolfini) and Eva (Julia Louis-Dreyfus) explore middle-age romance in Enough Said. (Photo by Lacey Terrell/Fox Searchlight via Associated Press) Enough Said (PG-13) Like the best romantic comedies of Hollywoods Golden Age, Holofceners film zings and pops with hilarious dialogue (‘What the hell is chervil?’ Eva snorts after Marianne lovingly gives her fresh herbs from her perfectly un-manicured garden), but also gets to the heart of human nature: in this case, the lengths people go to in order to fill their empty spaces, and how lovable foibles become intolerable flaws. Ann Hornaday Rush (R) As much escapist fun as ‘Rush’ is as an adrenaline-juiced car-race movie, its most interesting as a rare depiction of male vanity, how physical attractiveness informs self-worth and potency, and the role beauty so often the sole purview of women on screen plays in mens relationships and personal insecurities. Ann Hornaday Inequality for All (PG) this film avoids the familiar impartial-arbiter mode of documentary filmmaking and adopts a single perspective as its own. (Viewers will not, in other words, hear from any Gordon Gekko types arguing that wealth belongs to those who can take it.) Both films pair bits of biographical color with footage of well-polished lectures, bringing in just enough outside material to make them feel like real movies. John DeFore Blue Caprice (R) As admirable as Moorss oblique style is, though, Blue Caprice doesnt offer the sense of catharsis or closure, let alone new information, that makes it more than a cold, if disciplined, directorial exercise. Muhammad, who was executed in 2009 , and Malvo, who is serving a series of consecutive life sentences , remain enigmatic, remorseless figures, their depravity never deeply examined past their emotional problems and psychological ills. Ann Hornaday Don Jon (R) The only real down side of Don Jon is the extreme vulgarity, especially early on. Its easy to imagine that some of Jons audacious admissions could alienate certain audience members, and it would be a shame if the outrageousness overshadowed the movies thoughtful revelations and surprisingly sweet heart. Stephanie Merry Baggage Claim (PG-13) Theres so much wrong with Baggage Claim from its outdated story line and similarities to the dreadful Whats Your Number to Talberts clumsy, flat-screen directing that its all the more surprising when things go right. But it would be unfair to deny that it doesnt provide its own modest, sometimes outright hilarious, pleasures. Ann Hornaday Cloudy With a Chance of Meatballs 2 (PG) But instead of upping the ante, as so many sequels do, Cloudy 2 merely gets the band back together including perky weather girl Sam Sparks (Anna Faris), immature bully Brent (Andy Samberg) and Flints level-headed father (James Caan) for a repetitive mission that calls to mind multiple beats from the first movie. Sean OConnell Metallica Through the Never (R) Thanks to wireless instruments, guitarists James Hetfield and Kirk Hammett and bassist Robert Trujillo are highly mobile, and even drummer Lars Ulrich moves around a lot. They interact with other performers in scenarios that appeal to some metalheads taste for carnage and destruction. The last staged catastrophe seems rather tasteless, but it turns out to be a clever setup for the back-to-basics finale. Mark Jenkins Haute Cuisine (PG-13) Frot manages the tough trick of playing someone whos both standoffish and likable. Hortense isnt easily amused or benevolently quirky, the way so many female characters can be. Shes serious, but her passion for recipes and fresh produce proves appealing. “Haute Cuisine” also strays from the typical formula because its devoid of a romantic subplot. Stephanie Merry The Trials of Muhammad Ali (Unrated) Bill Siegels The Trials of Muhammad Ali reminds us, though, that the boxer fought significant battles outside of the ring, as well. And in doing so, Trials educates casual boxing fans about the unexpected political, religious and social strife Ali encountered and largely brought upon himself during a tumultuous time in our nations racially divided past. Sean OConnell You Will Be My Son (R) It would be easy to make a movie pitting Paul, the deadbeat dad, against Martin, the long-suffering descendant who deserves his multimillion-dollar inheritance.
5 Movies to Watch When The World Ends Friday
Related Stories FDA to start regulating health-related smartphone apps Parents can target what their kids watch on their phones, tablets and TVs, thanks to a new digital video service. Target Ticket launched by the discount chain store offers a whopping 30,000 movies and television shows to buy, rent, download or stream starting at 99 cents. Titles include blockbuster releases like Iron Man 3 and Star Trek Into Darkness and HBO shows like Game of Thrones and True Blood. RELATED: WHAT THE EMMY VOTERS GOT RIGHT – AND WHAT THEY GOT WRONG But parents have the ultimate say about their kids viewing options. The big-box retailer partnered with San Francisco-based nonprofit Common Sense Media, which provides movie and TV reviews, to make it easier for users to select age-appropriate content for their kids. Melinda Sue Gordon/AP Target are aiming to compete with Netflix, which offers its own original series like ‘House of Cards.’ The political drama, which stars Kevin Spacey, won three awards at the 2013 Emmys. Worried parents can also set filters according to the level of violence and profanity and ratings given by the Motion Picture Association of America. PHOTOS: EMMY AWARDS 2013 NOMINATIONS ANNOUNCED They can customize profiles for family members so they can watch varied content simultaneously on different devices. The service is aimed at parents who want a kid-safe, easy- to-use service, the company says. Viewers can watch rented content as many times as they want within a 48-hour period. Target Ticket is currently available on PCs, Macs, Android and iOS, along with Internet-connected TVs and Xboxes. Guests can visit TargetTicket.com to access the service or download the app through the App Store or Google Play.
10 hotels featured in James Bond movies
Planet of the Apes What is scarier then the world coming to an end? Mark Wahlberg saving it? Ok I joke! I am not talking about Tim Burtons remake or even the most recent one starring James Franco which was a fun twist. I am talking about the original 1968 Planet of the Apes starring the original big screen bad ass Charlton Heston. When the world comes to an end if I have to fight off the dirty apes I am going to have a problem since my end of days stock piling did not include bananas. Zombieland Emma Stone is a babe and if the world comes to an end I sure hope that I somehow find myself camped out in Bill Murrays mansion trying to get it on err sorry I mean get by with Emma Stone. Zombieland is one of the funniest movies of the last decade and is an example of what great film making can and should be in a sea of otherwise lame Hollywood horror films. The untested directors delivered one of the best film experiences in theaters for horror fans since Shaun of the Dead. Transformers Transformers? You are probably at this point wondering what in the hell I am smoking but yes Transformers.
In “GoldenEye” — the first James Bond film not based on Ian Fleming’s novels — this London hotel doubles as St. Petersburg’s Grand Hotel Europe. The Langham was constructed in 1865 and is one of London’s first purpose-built hotels. Bond scrambles over the iconic, globe-adorned rooftop of the Atlantic Kempinski in “Tomorrow Never Dies,” and the hotel’s exterior also appears throughout the film. Played by Pierce Brosnan, Bond stays in the hotel’s Atlantic Suite and several scenes were filmed there. This Indian hotel doubles as Octopussy’s lair in the film of the same name, with the dining room, terrace and hotel barge appearing in various scenes. The hotel’s lily pond is also featured in the film, when Bond girl Octopussy is shown enjoying a naked swim. In “Goldfinger,” this enormous hotel appears in the sweeping aerial shot which follows the opening credits. In the film, Bond girl Jill Masterton is found dead at the hotel after being covered in gold paint. In “The Spy Who Loved Me,” Roger Moore’s Bond seduces KGB agent Amasova in the piano bar, which doubles as Bond’s hotel room. The Cala di Volpe was the first hotel to be built on the Costa Smeralda, which is a popular holiday spot for those who rarely enjoy the charms of hostels: Heidi Klum and Denzel Washington have both stayed at the hotel. In the opening scene of “Skyfall,” Bond (played by Daniel Craig) takes a dip in this London hotel’s rooftop swimming pool.